Apart from being a composer with many published songs, I am a Mix & Mastering Engineer, Producer and an expert Recordist with more than 25 years of working with the most exciting and prolific Artists, Producers and Engineers in the industry. I love to be involved in the creative process and help to bring a song to life. For me, the song is the MESSAGE and the Artist is the MESSENGER. Let me know your budget and we surely find a way to collaborate. I'm on Broadjam to exploit my composing skills and find people for sharing tips and tricks about the film music.

Sounds Like: Hans Zimmer, Daniel Lanois

Latest News

I'm open to collaboration with new and upcoming filmmakers. My publishing company is supporting me and I am ready to work hard for the projects I'm involved.

Playlists

This Artist has 3 Playlists

Comments

Author
Bucci Media
3 days ago to Massimo Carola

Hey Massimo,
I'll be straight with you: your music has sync value, but it's likely not being positioned to generate income right now. I help artists fix that.
As a Sync Licensing & Catalog Consultant, I focus on turning catalogs into monetizable assets targeting real placement opportunities, not guesswork.
If you're serious about getting your music into film, TV, or ads, I can walk you through what needs to change and how to make your catalog work for you.
Let me know if you want in.

Best Wishes,
Bucci
Your Partner in Sync, Licensing & Catalog Monetization



Author
MercyJ
2 weeks ago to Massimo Carola

Hello Massimo,
I spent some time listening to your work, and there's something interesting about the direction of your sound, it already carries a kind of mood and structure that tends to translate well outside the usual release cycle.

Not in an obvious way, but in the kind of spaces where music is used more intentionally (film, sync, placements, etc.).
Have you ever explored that side of things before?



Author
Wura
3 weeks ago to Massimo Carola

Hi Massimo,
I've been reviewing a few catalogs on Broadjam, and your name came up in that process.
I work closely with artists on the sync side, specifically identifying what's actually holding strong records back from being considered for placements.
I'd like to take one of your tracks through a Sync-Ready Audit.
That means looking beyond the music itself and into the details that supervisors quietly filter for metadata structure, registration alignment, and overall pitch readiness. Just a clear breakdown of where your track stands and what could make it more placement-ready.

If you're open to it, send me a link to the track you'd want reviewed: wuradigitals@gmail.com
Best regards,

Wura Digital Services
Sync Strategy & Catalog Development



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