Pat has been a pro musician most of his life, played in various bands, and as a solo artist, has opened for some major acts, but has recently been concentrating on writing. Pat has written over 400 songs in different genres, including country, pop, rock, blues, children's music, and holiday music. He writes, sings, produces, and plays all the instruments on 99% of all his recordings. He plays guitar, bass, mandolin, banjo, drums, and a little piano and fiddle. One of his songs was slated for a CD by a new artist, but it has yet to be released. Another of his songs is prominently featured in the critically acclaimed film "Van Vorst Park" starring Frank Vincent. His children's CD "In The Land Of Make Believe" is a CD Baby favorite, and they state they like it so much that if the customer doesn't like it, they will refund their money. Often compared to James Taylor, Pat is a consummate singer songwriter in his own right.

Latest News

2/14/14 Downhill Rush a winner in the In Game Song Contest.

12/10/13 Always The Last To Know & I Wanna Go Back To You and I (country vers.) being played on online radio stn. & soon FM radio stn. in Livingston, TX

12/5/13 The Magical Music Box placed as runner up in the 2nd half 2013 Song Of The Year Contest

6/17/13 Always The Last To Know placed as runner up in the Song Of The Year Contest

March 2013 - Downhill Rush used in the indie film Maintenance Man

Pat Flanakin Bio

Born in Dallas, TX, Pat has been a pro musician most of his life, played in various bands, and as a solo artist, has opened for major acts, but is now concentrating on writing. Pat has written over 400 songs in different genres, including country, pop, rock, blues, children's, & holiday music. He writes, sings, produces, and plays all the instruments on most of his recordings. He plays guitar, bass, mandolin, banjo, drums, and a little piano and fiddle. One of his songs was slated for a CD by a new artist, but it has yet to be released. Another song is featured in the film "Van Vorst Park" starring Frank Vincent. His children's CD "In The Land Of Make Believe" is a CD Baby favorite & they have offered a money-back guarantee on it! Pat has placed in in the 2010, 2011, 2012, & 2013 Song Of The Year contests, and was one of the winners in the 2013 In Game Song Contest. He was a semi-finalist in the 2011 Acoustic Roundtable contest and made the Top 10 in the 2012 and Top 20 in the 2015 Broadjam 6-Pack contest, and received a honorable mention in the 2016 International Songwriting Competition. A number of Pat's songs have been accepted into numerous licensing houses & several online radio stations. Often compared to James Taylor, Pat is a consummate singer songwriter in his own right.

Videos

This Artist has 3 Videos

Playlists

This Artist has 1 Playlist

Comments

Author
Wura
4 days ago to Pat Flanakin

Hi Pat,

I've been reviewing a few catalogs on Broadjam, and your name came up in that process.

I work closely with artists on the sync side, specifically identifying what's actually holding strong records back from being considered for placements.

I'd like to take one of your tracks through a Sync-Ready Audit.
That means looking beyond the music itself and into the details that supervisors quietly filter for metadata structure, registration alignment, and overall pitch readiness.

Just a clear breakdown of where your track stands and what could make it more placement-ready.

If you're open to it, send me a link to the track you'd want reviewed: wuradigitals@gmail.com
Best regards,

Wura Digital Services
Sync Strategy & Catalog Development



Hey Flanakin,
I spent some time listening to your song "It's Summer" the production feels intentional, especially the way you handled .
Quick question though! are you building your catalog with sync licensing in mind, or mainly focusing on releases/streaming right now?

4 Replies
 
Pat Flanakin
2 weeks ago

Both - thru Broadjam, Song Placement Pros, and SyncMatch

That's great actually, it means you're already putting your music in the right places.
Well, as to say. A lot of the artists I speak with on Broadjam are also submitting through platforms like Song Placement Pros and SyncMatch, but one thing I've noticed is that many strong tracks still don't get traction simply because the catalog isn't positioned the way that aligns with supervisors demand.
Out of curiosity, have you had any placements or near placements from those submissions yet?

Pat Flanakin
2 weeks ago

I've had many "under considerations" but no cuts as yet.

That actually tells me a lot.
When tracks consistently reach the "under consideration" stage, it usually means the music itself is strong enough to get past the first screening, but something in the way the catalog is packaged or positioned is preventing it from getting the final cut.

I see this quite a bit with artists who are submitting through Broadjam and other sync platforms.

While listening to "It's Summer" I noticed a couple of things that could make a difference for supervisors when they're reviewing catalogs for TV and ad placements.
Rather than clutter the Broadjam thread, feel free to reach me at patrickumeshsocial@gmail.com and I can walk you through what I'm seeing and how artists typically adjust their catalog strategy to move from "under consideration" to actual placements.
Would be happy to take a closer look at what you're building.



Author
Pat Flanakin
over 30 days ago to Pat Flanakin

Congrats!



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