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Hello I just came across [Track Name] on Broadjam, really strong work. It honestly feels like the kind of track that should be getting more traction than it probably is right now. Quick question, are you actively doing anything to position your tracks for placements, or are you mostly submitting and letting things play out? I've been noticing a pattern with tracks like yours: the quality is there, but they don't always get picked up the way they should because of how they're being presented and positioned. I have a specific angle in mind that could help improve that. If you're open to it. feel free to reach out here or directly at nwekepromoter02@gmail.com, happy to walk you through it. Looking forward to hear from you
Subject: Quick Idea to Turn Your Listeners into Loyal Fans Hi Don Preach, I came across your music and I genuinely think you have a strong sound with real potential. While listening and checking your profile, I noticed something important your current setup isn't fully converting new listeners into long term fans. This is very common, especially with talented artists. The gap usually isn't the music, it's the strategy behind how it's presented and rolled out. With a few focused adjustments (profile optimization, positioning, and release strategy), you could significantly increase engagement, follows, and repeat streams. If you're open, I'd be happy to share a quick strategy tailored specifically to your current setup,no pressure. Do contact me with my email address: shalomakins029@gmail.com Best regards, Akin.
Hey Don Preach, I just listened to your music "ON THE OUTSIDE" and I think it has real potential to travel further with the right positioning. A lot of independent artists create amazing tracks but struggle with getting the music in front of the right listeners. My work focuses on helping artists grow through: Fanbase growth campaigns Playlist pitching strategies Streaming platform SEO Digital advertising for music releases Music sync licensing consulting Are you currently working with any promotion strategy for your music right now? Pleasure in hearing from you soon Sincerely, Patrick
Hey, thanks for the interest and the encouraging comments. Not working with any companies like that right now. i have working directly with licensing companies on specific project which has taken most of my time away from my own artistic endeavors.
Hey Don, Happy New Month Greetings to You.. Apologies for not gettin back to you on time.. I respect that, working directly with licensing companies already puts you ahead of a lot of artists out here. Most never even get that close to the sync world. But what you just said is actually something I see pretty often... Artists end up contributing to projects and helping other placements move, while their own catalog isn't positioned to benefit at the same level. Not because the music isn't strong,.. but because the backend structure and exposure strategy isn't fully aligned for it. From what I heard in "On The Outside," you've got the kind of record that shouldn't just sit in rotation, it should be opening doors. Out of curiosity... when those licensing opportunities come in, are they pulling you as an artist, or mostly bringing you in on specific project needs? Sincerely, Patrick From Supreme Industrial..
Well Unfortunately... now it's neither lol. I was working with Megatrax and they just got bought out by some new big tech. Thank you for the comments and the ratings by the way. May I ask if your interest in my work involves some sort of fee that I would have to pay for your services?
Hey Don, I really appreciate you being direct about that and I'm sorry to hear about the Megatrax situation. That kind of transition happens more often than people realize when bigger tech companies step in... and unfortunately, artists usually feel the disruption the most. The upside though... is that moments like this are actually when independent catalogs have the best opportunity to reposition and gain leverage again. And to answer your question.. yes, I do work on a consulting basis when I take on a project. I keep it that way intentionally, because I only step in when I know there's a real pathway to measurable growth and licensing potential. From what I've heard in "On The Outside" and based on your previous involvement with Megatrax, you're already operating at a level where proper catalog positioning and exposure strategy can create new doors fairly quickly. That said, before I even discuss specifics, I typically start with a short evaluation of the artist's catalog, current positioning, and licensing potential to determine if it's a strong fit on both sides. If everything aligns, I then outline the campaign structure, timeline, and expected growth trajectory. Out of curiosity,.. how large is your current catalog right now? Are you sitting on a handful of releases or a deeper body of work? Sincerely, Patrick