Highsmyth are UK based songwriters and music/video producers. We cross genres and compose a wide range of songs from electronic instrumentals to indie rock. We specialise in dance remixes and video production for other artists on request. In 2020, we have had no 1's on Broadjam charts with Alien Dubstep, Mad World and Wolf Dawn with all three songs in the top 10 for most of the year. 


We have a number of new  tracks and videos uploaded for the holidays..your feedback is always appreciated.

Sounds Like: Tangerine Dream, Cocteau Twins

Latest News

New song and video

August 2024
New mega mix of Dream Come True/Forest of Scream now available..7 minutes of escapism .. video inc excerpts from journey to the moon 1903 style..from the mad real world out there ..

Comments

Author
MercyJ
over 30 days ago to Highsmyth

Hey Highsmyth,
Frankly, your sound already has a strong identity, which is rare.
But what usually holds artists back at that point isn't the music, it's how everything around it is positioned; branding, PR narrative, and how it's introduced to the right spaces (film, licensing, etc.).

I work with creatives on that side, making sure the music actually opens doors, not just streams.
Have you started exploring that yet?



Author
Steven B
over 30 days ago to Highsmyth

Hi, I checked out your music and you've got solid potential for sync licensing.
One thing I've noticed working with artists is that even great tracks often get overlooked due to small but critical things like metadata, structure, or licensing readiness.
Do you currently prepare your releases with sync opportunities in mind, or are you mainly focused on streaming and promotion?
Happy to share some insights, you can reply here or email me at belovedsteve760@gmail.com

3 Replies
 
Highsmyth
over 30 days ago

Thanks for getting in touch.
Our songs are mainly for synch opps
I/we write, record and produce our own tracks ..so we own all rights etc
We also remix songs on request for other artists.
Let us know if you're interested in any particular tracks
Regards
Jill from Highsmyth

Steven B
over 30 days ago

Hey Jill, appreciate you getting back to me, and that's great to hear you're already creating with sync in mind, that puts you ahead of a lot of artists right off the bat.
Owning your rights and handling everything in-house is a strong position to be in too.
Quick thought though, and this is something I've seen pretty often working with independent composers, even when tracks are written for sync, a lot of them still don't get traction, not because of the music itself, but more on how they're packaged, tagged, and positioned when they reach supervisors or libraries.
Before I jump into specific tracks, I usually like to get a quick sense of how things are currently set up on your end, things like how your catalog is organized, how your metadata is handled, and where/how you've been pitching so far.
Gives me a clearer picture of where the real opportunities might be.
If you're open to it, I can take a quick look and share a few observations on what might be helping or holding things back.

Steven Licensing
over 30 days ago

Hi Jill, just wanted to follow up on my last message, I know things can get busy on the creative side.
I was really interested in learning a bit more about how you're currently organizing and positioning your catalog for sync opportunities, especially since you're already creating with licensing in mind.
Whenever you have a moment, feel free to share how you're currently approaching things or any links you'd like me to take a look at. I'd be happy to review and see where there might be additional opportunities.

Looking forward to hearing from you.



Author
Wura
over 30 days ago to Highsmyth

Hi Highsmyth,
I've been reviewing a few catalogs on Broadjam, and your name came up in that process.
I work closely with artists on the sync side, specifically identifying what's actually holding strong records back from being considered for placements.
I'd like to take one of your tracks through a Sync-Ready Audit.
That means looking beyond the music itself and into the details that supervisors quietly filter for metadata structure, registration alignment, and overall pitch readiness. Just a clear breakdown of where your track stands and what could make it more placement-ready.

If you're open to it, send me a link to the track you'd want reviewed: wuradigitals@gmail.com
Best regards,

Wura Digital Services
Sync Strategy & Catalog Development



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