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Sounds Like: john mellencamp, Missing Persons
Glad that the song is getting traction, but what do the list positions do for me as an artist??
Hi Greg Andrew, I have been analyzing the ROCK charts on Broadjam, and your track "Blame it all on rock and roll" stands out as a high value asset for commercial sync licensing. However, based on my data, your current reach is hitting a "ceiling" that only professional grade of Growth can break. As a certified music growth and Sync Agency, I don't just "post" your music; I engineer visibility. Most artists on Broadjam have the talent but lack the Industry Metadata and Momentum Scaling required for high paying placements on networks like FOX, MTV, or ESPN. What I'm offering is a high demand Promotion Sprint for [Long Term Achievement]: Aggressive Sync Positioning: I'll audit your Broadjam profile to ensure it meets the technical standards music supervisors demand. Multi Platform Velocity: We will bridge your Broadjam success into a 30 days targeted campaign to spike your streaming and social signals from several platforms. The "Vetting" Advantage: My certification acts as a seal of approval for supervisors who don't have time to sift through thousands of unsigned tracks. The Catch: To maintain my 95% success rate for clients, I only take on three new artists per month. I currently have one slot remaining for a Pop/Rock artist, and your sound fits the current market demand I'm seeing from my licensing contacts. If you are ready to "uploading" and start monetizing, let's secure this final slot Sincerely, Patrick Music Sync Consultant & Growth Specialist
What does this service cost. The monthly fee is already a strain as I am on a limited income. I could use the attention, but depends on the cost.
Hey Greg, New Month Greetings To You.. I appreciate you being upfront about that; seriously. And I hear you... a lot of the artists I work with are in that exact same position where they've put real money into their music already, and the return just hasn't matched the effort yet. So before we even talk numbers, I want to make sure this actually makes sense for you. Because what I do isn't a "monthly fee" type thing where you're just paying and hoping something happens... it's a focused build designed to turn a track like "Blame It All on Rock and Roll" into something that can actually compete for placements and pull in real listener traction outside Broadjam. If the foundation is there (and from what I'm seeing, it is), then we look at the smartest way to move forward without putting you in a bad spot financially. Let me ask you this first; Are you mainly trying to: A) Get your music placed (TV/film/sync) B) Grow real listeners/streams C) Or both working together That'll tell me if it's even worth mapping something out for you. Sincerely, Patrick
Mainly trying to get more exposure for the song(s) and license it for tv / film. A few other musicians I know have successfully done this and the financial return was good. Would the songs be rerecorded or rearranged??
Hi Greg, That's actually a great question and to me,.. it's also a sign that you're thinking about this the right way. The short answer is: not necessarily. Most of the time, rerecording isn't required unless there's something specific preventing the track from competing in sync placements. From what I'm hearing in "Blame It All on Rock and Roll," the core foundation is already strong, which is exactly why it caught my attention in the first place. What usually matters more (and what most artists overlook) is how the track is positioned, packaged, and discovered by supervisors. I've seen a lot of solid songs miss opportunities simply because they weren't structured for licensing visibility, not because the music itself wasn't good enough. Since you're primarily aiming for exposure and TV/film licensing, that's actually the ideal scenario for the type of campaign I run. It means we're not guessing, we're aligning directly with a revenue focused outcome. Also, Greg, I want to be respectful of what you mentioned earlier about being on a limited income. Because of that, I wouldn't recommend anything unless I genuinely felt there was a realistic upside. Before I open the remaining slot I mentioned, I'd prefer to quickly review a couple of your tracks and outline whether your catalog fits the current licensing demand I'm seeing. It's easier to walk you through that privately rather than here in Broadjam comments. Feel free to reach me directly at: patrickumeshsocial@gmail.com Once I hear from you, I'll take a closer look and let you know honestly if it's worth moving forward. Either way, I respect the work you're doing and you're definitely closer to licensing potential than most artists I review. Sincerely, Patrick Sync & Catalog Consultant
I am very confused as to how to add new music to my list.