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Sounds Like: Usher, Pink, Boyz II Men, Lil' Wayne,
Hello Goliath, I spent some time listening to your work, and there's something interesting about the direction of your sound, it already carries a kind of mood and structure that tends to translate well outside the usual release cycle. Not in an obvious way, but in the kind of spaces where music is used more intentionally (film, sync, placements, etc.). Have you ever explored that side of things before?
I actually run a company called Upgrade The Meaning LLC and we are all about sync placements and working within the Sync world. We have connections to Netflix, NBA, NFL, Hulu, among other production houses and Music Libraries.
Hi GoliathMTBK, I've been reviewing a few catalogs on Broadjam, and your name came up in that process. I work closely with artists on the sync side, specifically identifying what's actually holding strong records back from being considered for placements. I'd like to take one of your tracks through a Sync-Ready Audit. That means looking beyond the music itself and into the details that supervisors quietly filter for metadata structure, registration alignment, and overall pitch readiness. Just a clear breakdown of where your track stands and what could make it more placement-ready. If you're open to it, send me a link to the track you'd want reviewed: wuradigitals@gmail.com Best regards, Wura Digital Services Sync Strategy & Catalog Development
DNG Thanks for the review of "Hang On".
You're welcome