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Hi, I came across your work on Broadjam and spent some time listening to "When You Are Smiling",there's a level of artistry and direction in your sound that's not easy to come by. I work privately with a select number of artists, composers, and producers who are serious about positioning their music beyond traditional releases particularly within the sync and licensing space. In my experience, many strong catalogs remain under leveraged, not due to a lack of quality, but because they aren't aligned with how music supervisors and licensing platforms actually search, filter, and select material. My role is to bridge that gap refining catalog presentation, enhancing sync readiness, and ensuring the music is positioned where it holds real commercial value. The goal is simple: to open doors to meaningful placements, strategic partnerships, and long term opportunities. I'm selective about who I work with, but I believe your sound could translate well in that space. Out of curiosity, is sync and licensing currently part of your long term strategy, or is your focus elsewhere at the moment? Best regards, Rebecca Seo Specialist and Sync Licensing Consultant
Hi Rebecca, I am indeed trying to do more work in sync licensing. Let's talk. cheers, Alberto
Hi Alberto, Great to hear that, this tells me you're already thinking in the right direction. Before we talk specifics, I like to get a quick sense of where things stand so I can see if there's a real fit on my end. How are you currently positioning your catalog for sync , are you actively pitching, or mainly hosting your music on platforms like Broadjam and similar? Also, do you have a core style or lane you're intentionally building around, or is your catalog more diverse at the moment? Once I have a clearer picture, I can decide the best way for us to move forward. Cheers, Rebecca
Hi Rebecca, I am using platforms like this one to submit tracks to specific briefs, I am also publishing music in my name and some aliases too. I have been doing instrumental music for ages, now forcing myself to work on my songwriting and production skills also trying to do some dance music here and there. So yeah, the direction is more a multitude of directions which I guess it's what many people do :) cheers, A.
Hi Alberto, I really appreciate you sharing that. What you're describing is actually where a lot of strong catalogs get stuck, not because of quality, but because the direction is too broad for sync to clearly place you. That usually ends up limiting traction, even when the music is solid. From what you've said, it sounds like there's real potential there, but it may not be positioned to fully convert yet. If you're open to it, we can take a closer look and see if there's a clear path to improving that. Cheers, Rebecca
Hi, I checked out your music and you've got solid potential for sync licensing. One thing I've noticed working with artists is that even great tracks often get overlooked due to small but critical things like metadata, structure, or licensing readiness. Do you currently prepare your releases with sync opportunities in mind, or are you mainly focused on streaming and promotion? Happy to share some insights, you can reply here or email me at belovedsteve760@gmail.com Best regards, Steven Music SEO & Visibility Specialist