Story Behind The Song

For aesthetic purposes, an artificial language based on Esperanto was created. We made this decision to make it sound more elven without infringing on JRR Tolkien's family copyright. In both the medieval and futuristic sounding design, medieval instruments and 16th-century compositional techniques are used (Modal Counterpoint by Giovanni Pierluigi da Palestrina). We believe that the songs will add a more exotic, mystical and interesting feeling to any production (film, series or game), making it artistically richer. There is a presence of contrast in both projects: in the futuristic version by the medieval instruments and in the medieval version by the futuristic themes addressed in the lyrics. To create the melodic phrases, computational random generation was used (following the calculations and tonal jumps of the 16th century). For the selection and combination of the aforementioned melodic phrases, we personally searched for the ones that sounded better and were more similar to pop that people today are used to, aiming at greater sensory acceptance. The lyrics and themes sung in contrast to the medieval sound, were taken from a futuristic-themed book still under review called Humaro Nova, with the author's permission. Most messages are based on axiology and make direct and indirect criticisms of current society that, if followed, would lead the world to become perfect (or futuristic utopian as reported in the book). The use of artificial language allowed the lyrics to be shaped in a way that sounded good, even though the messages were expressed in a direct and practically literal way. The pseudo-elven style was chosen because the elven symbology is related to perfection, delicacy, aesthetic beauty, magic, virtue, etc. To interpret the songs, and invoke a global format, singers from nine different nationalities. The multi-nationality and union of the project's members also refer to the idea of creating the Esperanto language itself.

Song Description

Track: "Vehnahn Mnyehndehfehl" performed by Brazilian singer Rebeca Modena with the participation of Greek singer Mary Protopapa, French singer Louison Cherubin and North American singer Gianna Juliet (available in the futuristic project Allia Elvish). The best description for the song is the English translation itself: DIALOGUES This is very drastic If it goes wrong, we will lose you So it has to work I will not stop Thousands die every day because of them . Directly and indirectly Do you think this will solve it? No. Not immediately Right I light the wick Many will follow my example Please... Singing My life will not be meaningless I will leave a better world Forget it... I will do it. Certainly ( You are crazy ) My life will be worth it I will change our world VERSE1 We became many so it was not possible to vote by raising our hands. Complicated PRE-CHORUS Technologies have brought solutions With cryptography and biometrics our blessed direct democracy has finally returned CHORUS Now laws will be voted on by the citizens themselves By our own phones No corrupt interference POST-CHORUS Contemplate the world Better he had become BRIDGE Representatives must make laws by the will ( You are crazy ) . of the majority ( You are crazy ) I feel offended now to have to obey the law of ( Give up. There is still time ) . a failed democracy PRE-CHORUS Technologies have brought solutions With cryptography and biometrics our blessed direct democracy has finally returned CHORUS Now laws will be voted on by the citizens themselves By our own phones No corrupt interference CHORUS Now laws will be voted on by the citizens themselves By our own phones No corrupt interference

Lyrics

DIALOGUES
Sih tie ehvtahv teh tahvtieler
See jee fahsehv, nee fehtdehv vihnver
Deh jee dehvahv fahnseelahn
Mnee nee hahltehv
Mnehlehj mnehtehv seeahtaj feh lee
Hehfteh sah neh-hehftaynay
Sah vee fehnsahv, seh see tie sehlvehvlah?
Nay. Neh tahjehlah
Jehvlahn
Mnee ehvtahleejahv lah mnyehsehn
Mnyahltahj sehvehv mneeahn ehfsehnflehnjeen
Vehnvehlahjee...

Singing
Mnyah veeveh neh ehvtehv sehnsehnsahlahn
Mnee fehslahsehv flee vehnahn mnyehndehfehl
Fehrjehsah jeenehteh
Mnee fah-hehv jeen. Seht ee vehn
Mneea veevaynay vahleh-haev
Mneen sahnjehv nah-een mnyehndehn

VERSE1
Nee fah-heejeev mnyahltiefeh
Deh neh ehleev vehvdehnee
feh lehveh deh neeiefeh
mnahneh. Sehnfleesahsiejee

PRE-CHORUS
Tehvnehljeeay ahlfehteev sehlvehnleen
Sahn seeseh syah vehmnehtheesehfehl
lah vehneetah hehvtah vehdehmnehvhahtee-ehleen
hehvehneev feenehfehl

CHORUS
Nah lehjeh ehvtehv vehvdehneetahn
deh lah teeseeveetahnay mnaylehn
feh neeah fehfah teetehlehfehnehseeahn
Nehneeah nahtahseh-hahftah ehnmnehsehjehvayn

POST-CHORUS
Sehntehnflehn
Lah mnehndehn
flee vehnehn
lee eeahn fah-heejeeveenehn

BRIDGE
Lah hehfhehseentahtehfeh
Dehvahv fah-hee layjeen feh lah vehlehah (Vee ehvtahv fehnehsiejee)
deh lah gahmnfleenehlteh
Mnee tsehsehntahv ehn nahnfeh
ehfehndeeteh dehvee ehvay lah lehvehn deh-hah (Ehseeyihn. Yehnseh ievtahv tehnfehlahn)
Mnyalsahsehsah dehnehsahtehfeh

PRE-CHORUS
Tehvnehljeeay ahlfehteev sehlvehnleen
Sahn seeseh syah vehmnehtheesehfehl
lah vehneetah hehvtah vehdehmnehvhahtee-ehleen
hehvehneev feenehfehl

CHORUS
Nah lehjeh ehvtehv vehvdehneetahn
deh lah teeseeveetahnay mnaylehn
feh neeah fehfah teetehlehfehnehseeahn
Nehneeah nahtahseh-hahftah ehnmnehsehjehvayn

CHORUS
Nah lehjeh ehvtehv vehvdehneetahn
deh lah teeseeveetahnay mnaylehn
feh neeah fehfah teetehlehfehnehseeahn
Nehneeah nahtahseh-hahftah ehnmnehsehjehvayn